[Original Airing Date:  August 5, 2011]

Again an old blog from the archives.  This particular blog should be very important to those who love to shoot with photographers for the sake of shooting with photographers.  

Hey Blog followers. It’s been a while since I’ve posted and I have to apologize for that (yeah, I know. You don’t want to hear it). For real, though. It’s hard for me to just right a random blog. My blogs have to be inspired (or I should say triggered from something that I occurred in my life) and it affects me so much that I am compelled to write about it.

This blog may come across conceited and that is sooooooo not the case, but lately (well honestly it’s been a while). I’ve been noticing a really poor trend. Photo whores.

Photo whores? What’s that you asked? Well a photo whore is a model (or “model”) that likes to amass lots of photographs of themselves for no apparent reason. They are constantly shooting and “building their book” when there is no need to do so. They stalk photographers in hopes to get shot so they can get bragging rights, or if nothing else “hot” photographs (please see previous blog: “Don’t Shoot With Me” http://dallasjlogan.blogspot.com/2011/04/dont-shoot-with-me.html) I never really understood the mind of the photo whore, but I guess it’s no different than the GWC (Guy With Camera) trying to get as many “models” in front of their camera for no apparent reason (except I guess to get them naked – that’s ANOTHER blog for another time).

Well there are two types of Photo Whores. Those that amass quality photos from quality photographers. They want to build their book with the best possible images that they can. They are constantly testing upward and constantly looking for better photographs and constantly trying to keep their look “fresh” in the public’s eye and then there is the “model” that just doesn’t give a damn. And guess what “model”? This blog is just for you.

When you are running around and jumping in front of every Tom, Dick and Harry’s camera without the understanding of how it is going to benefit you, you produce poor photographs. Because of the poor photographs, you develop a reputation which tells professional photographers to steer clear of you, because you are not considered serious. It also lets quality photographers know that you have no idea what you are doing and you don’t know quality, so why should we waste our time with you.

I am constantly approached by “models” wanting to shoot with me, and I look at their track record of photography. When I see their photographic line up and it is full of poor photographs, bad retouching, awful, unattractive angles, inexperienced lighting, etc., I then ask “why do you want to shoot with me.” The usual retort is “because you will give me quality images (aka “hotness.”) I always wonder to myself: “then why did you shoot with all these bad photographers?” At this point I honestly do not wish to shoot with you, because you wouldn’t know “hotness” if it landed on you in a RangeRover SUV.

True Story:

There was a beautiful female model that I shot for a hair campaign. I always wanted to work with her. She was new to New York and I was one of the first photographers to work with her (this time I am bragging). We produced beautiful photographs and she proudly displayed me in her book.

Whenever she want to castings, my photo was usually the opening image shortly followed by a series of photos that could not compete. She never got called back. Why? “Her photos are inconsistent. She looked great in one set of photos, but the rest turned out to be garbage” This is the words from the Casting Director’s own lips. “We can see that she is beautiful, but we cannot tell if she can PHOTOGRAPH beautifully, because she was only photographed well one time. The rest of her book is garbage.” So in essence, my photos of her, though good, was killing her career, because the other images could not compete. This is not a bragging right situation. This is a wake up situation. CHOOSE YOUR PHOTOGRAPHERS WISELY.

Good photographers like to be in the company of good photographers. It tells us that you value our work, and the work of our peers and that you wish to produce the best possible photos for your portfolio. Like I said in the previous blog: If our photos are not doing their jobs, then we as the photographer are not doing OUR job.

Again, “models,” this is YOUR career. If you don’t want to take it seriously and want to shoot with inept photographers keep doing so. I guess working at Hollister is all you’ll ever want to do.

Think about it.

To see original blogs please go to: http://dallasjlogan.blogspot.com/